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Date(s) - 07/28/2021
8:00 PM - 9:00 PM
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The organ trio sonatas of J.S. Bach are intimate, thrilling, sublime, touching, and uplifting. While they are brilliantly polyphonic, they are ultimately conceived for just a single player to perform on the organ. The recorder is capable of expressive subtleties of articulation and shaping tones that an organ is not, but a lone recorder player cannot hope to cover all three parts at once–or can she? In this brilliant multi-tracked video project, Emily O’Brien plays her own transcriptions of Bach’s amazing works using seven recorders ranging from soprano down to the sonorous contrabass.
IMAGE courtesy of Society for Historically Informed Performance (Public Domain)