Date/Time
Date(s) - 11/23/2014
7:30 PM - 10:00 PM
Location
Musicians Union Hall Local 6
Category(ies)
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– $8.00 to $10.00 at Door –
- 7:30pm Emily Hay/Motoko Honda/Biggi Vinkeloe — flutes, voice, piano
- 8:30pm Time is Now Not Money performs “Origins and Originals” featuring Bishu Chatterjee — bass; Lorin Benedict — voice; Terrance Tony — saxophone; Scott R. Looney — piano; Surya Prakash — drums, percussion
Time is Now Not Money is a San Francisco Bay Area ensemble influenced by jazz and what matters most NOW. TINNM is led by Kolkata born Bishu Chatterjee (bassist using melodies of India) with Lorin Benedict (scat singer presenting structurally involved elements), Houston native Terrance Tony (saxophonist indulging in the spirit of Art Blakey), Scot R. Looney (hyper pianist performing compelling sounds), and Surya Prakash (drummer also playing spiritual Khol). TINNM will present origins and originals.
Emily Hay is a flutist, vocalist and pianist who extends the traditional roles and capabilities of her instruments by incorporating the complexity of contemporary classical technique with the spontaneity and experimentation of free improvisation. Hay is an active member of the Los Angeles and “left coast” music communities, and has performed in avant garde, art rock, free improvisation, electro-acoustical and contemporary classical ensembles such as U Totem, The Motor Totemist Guild, The 5 UU’s , Otherparts, I Am Umbrella, Adam Rudolph’s Go Organic Orchestra, The Emily Hay Collective, The Rich West Ensemble, The Jeff Kaiser Okodektet and The Vinny Golia Large Ensemble. Recordings of her work have been released on Cuneiform Records, Recommended Records, Nine Winds, Meta, pfMentum, Public Eyesore and Dragnet Records. She has toured and performed throughout Europe, Canada and the U.S. with concert highlights at the Bimhuis/Amsterdam, the Ottomat/Italy, New Music America Festival/Montreal, Art Rock Festival/Frankfurt, Kulturni Dom/Yugoslavia, Staion de Art Sankt Peter/Cologne and the Reithalle/Switzerland.
Motoko Honda is a concert pianist, composer, and sound artist who has created a distinctive sound through her holistic approach to music, and her exceptional sensitivity in relating to other art forms and technologies. Employing a “virtuoso technique paired with her intensely imaginative mind” (Susan Dirende, L.A. Splash Magazine), and with stylistic influences ranging from jazz to Indonesian music to contemporary prepared piano with electronics, Motoko’s compositions and structured improvisations are intended to affect the skin, organs and minds of the listener rather than simple recitations of rhythmic and harmonic themes. Called both a “keyboard alchemist” (Chris Barton, L.A. Times), and the “embodiment of a muse” (Greg Burk, Metaljazz), Motoko’s performances transport audiences on sonic adventures that transcend the boundaries and conventions of contemporary music.
Biggi Vinkeloe has performed in Sweden, France, Germany, England, Finland, Italy, Denmark, Switzerland, Austria, Czech Republic, Canada, USA, with Peter Uuskyla, Barre Phillips, Peter Kowald, Cecil Taylor, Ken Filiano, Steve Swell, Joel Futtermann, Alex Cline, Chris Brown, Jacques Veillé, Giancarlo Locatelli, Alberto Braida, Filippo Monico, Roberto Bellatalla, Paul Plimley, Jackson Krall, Joachim Zoepf, Georg Wolf, Gino Robair, Gianni Gebbia, Jerome Bryerton, Wayne Lopes, Paul Obermayer, Rex Casswell, Peter Friis Nielsen, Perry Robinson, Lotte Anker, Sylvie Degiez, Vinny Golia, Harris Eisenstadt, Damon Smith, Mark Weaver, Mischa Feigin, Marco Eneidi, Mary Oliver, Miya Masaoka, Donald Robinson, Lisle Ellis among others.